GALLERY / SCULTURA
|
|
|
Works |
Ettore GrecoBorn in Padua in 1966, he received a diploma in sculpture from the Academy of Fine Arts in Venice in 1991. His most meaningful works are figurative casts executed in both terracotta and bronze. His most recent works include figures inspired by athletes and acrobats in movement and at rest. His sculptures dedicated to the figure of Saint Sebastian are also significant.
|
 |
Works |
Antonio GiancaterinoHe graduated from the Academy of Fine Arts in Venice and he took part in important expositions:Nuovissima Generazione dell'Arte Italiana a Siena, la Tradizione rinnovata al Sima di Venezia, Venezia-USA a S. Antonio (Texas), Sguardi a Nordest al Palazzo dei Diamanti a Ferrara, Artisti veneziani in Olanda a Groningen ed Amsterdam
|
 |
Works |
Gian CampiBorn in Venice. Graduates at the Academy of Fine Arts in Venice - Sculpture - with M. Alberto Viani. Invited by Galleria Bevilacqua La Masa, Venice, for the Exhibition "Venetian Sculptors", 1961. Personal exhibition at "Galleria del Cavallino" - Venice, in 1975.
He has been working for more than thirty years, in an obsessive isolated way, on the same "canon" of sculpture. Therefore, his works are magic-ritual objects more than sculptures. He lives and works in Venice.
"The practice of repeating emancipates thought from time flying away"
Lieh-Tzu III Cent. B.C.
|
 |
Works |
Stefano StipitivichBorn in Venice in 1951, where he lives and works.
He received a degree in History of Art from the University of Venice Ca’ Foscari.
He is interested in visual Arts (painting, sculpture, photograph). Over the last few years he dedicate himself especially to sculpture assembling different materials like iron, lead, wood, sand, glass and resin.
Some critics have described these sculptural works: Futurist archeological find.
Recently he is also interested in design and multimedia art.
|
 |
Works |
Vetro MuranoCollection of "Vetro di Murano", from the years 1920. The more important masters and designer
|
 |
Works |
Massimo NordioMassimo Nordio was born in 1947 in Venice, where he still lives and works. His first interest in twentieth century Venetian glss as a collector and dealer dates back to the end of seventies.
Ten years late his work emerged and was included in important private collections, such as the “Asher Foundation” of Lausanne.
At that time, he became interested in photography and was responsible for the photography of important works on the artists of Venetian glass from 1930 to 1960 (C. Scarpa, N. Martinuzzi, E.Barovier, F.Bianconi).
By the beginning of the nineties he was established as an independent artist.
Personal shows in S.Francisco, Tokyo, Frankfurt, Milano, Venice.
|
 |
Works |
Fabrizio Tridenti1962 Born in S.GiovanniTeatino, Italy; lives and works in Vasto.
1982 Graduated at Istituto Statale d'Arte, Penne, in Metals and Jewellery Design.
1983 to 1992 Apprenticeships with various goldsmiths in Pescara.
1982 Sculpture workshop at the studio of Maestro Fernando Gammelli, Pescara.
1993 Opened own workshop of contemporary jewellery in Pescara.
2005 “Timeless shape” Bac Art Studio Gallery, Venezia, Italy.
2006 Workshop "biancaneve", Cristina Filipe, ArCo, Art and Communication School , Lisbon.
2007 Workshop "a detail in urban architecture", Giampaolo Babetto, "Le ArtiOrafe" Academy, Lucca.
2007 “Fabrizio Tridenti, samples” organized by Abruzzo Council of Arts and Monuments, Taverna Ducale, Popoli, Italy.
2007 “Stratigraphy of a place” at Filomusi Guelfi Winery, under the auspices of the Arts and Monuments Council, Tocco da Casauria, Pe, Italy.
|
 |
Works |
Loris MarazziLoris Marazzi
This talented artist, born in the beautiful city of Venice, has absorbed the history and culture of the city, manifesting in his awareness and artistic abilities.
Loris Marazzi's unique talent enables him to transfer his emotions into the most wonderful living sculptures.
The sculptures are made from the cirmolo's wood, an old Italian pine that grows on the Dolomite mountains, above 2000 metres, near Cortina.
For centuries the Venetians have used this wood to build their wonderful houses and theatres like the "La Fenice" Theatre, because of its ability to withstand damp, insect infestation and its great resistance to cracking.
|
 |
|